When the cactuses bloom in Big Bend National Park, their vivid pinks and purples, reds and yellows bring an unforgettable beauty to the rugged Chihuahuan Desert landscape. In fact, many people visit the park just see the cactus blossoms and the wildflowers. If you're one of them, this book will increase your enjoyment by helping you identify the wonders at your feet. And if you've never been to Big Bend when the cactuses are blooming, you'll discover here what you've been missing.
Douglas B. Evans describes twelve kinds of cactus—living rock, topflower, stout-spined, hedgehog, pineapple, button, barrel, fishhook, nipple, chollas and pricklypears, and Texas nipple—and their individual species known to occur in the park. Color photographs taken by Doris Evans and Ro Wauer accompany the species descriptions. As you hike or drive through the park, you can identify most of the cactuses you see simply by leafing through these splendid pictures and then checking the descriptions, which indicate the cactuses' characteristic features and habitat.
To make the book even more useful, Evans also briefly defines the parts of a cactus, explains how scientific names work, and offers a quick introduction to the geography and ecology of Big Bend National Park and the Chihuahuan Desert. With this information, you'll enjoy not only seeing the cactuses of the Big Bend but also being able to tell one from another and knowing just what makes each one special.
Based on reporting by journalists, writers, and documentary filmmakers since 2001, each of the essays collected here covers a particular dimension of contemporary Cuban society, revealing what it is like to have lived, for more than a decade, suspended between communism and capitalism. There are pieces on hip hop musicians, fiction writing and censorship, the state of ballet and the performing arts, and the role of computers and the Internet. Other essays address the shrinking yet still sizeable numbers of true believers in the promise of socialist revolution, the legendary cigar industry, the changing state of religion, the significance of the recent influx of money and people from Spain, and the tensions between recent Cuban emigrants and previous generations of exiles. Including more than seventy striking documentary photographs of Cuba’s people, countryside, and city streets, this richly illustrated collection offers keen, even-handed insights into the abundant ironies of life in Cuba today.
Contributors. Juliana Barbassa, Ana Campoy, Mimi Chakarova, Lydia Chávez, John Coté, Julian Foley, Angel González, Megan Lardner, Ezequiel Minaya, Daniela Mohor, Archana Pyati, Alicia Roca, Olga R. Rodríguez, Bret Sigler, Annelise Wunderlich
Once isolated from the modern world in the heights of the Andean mountains, the indigenous communities of Ecuador now send migrants to New York City as readily as they celebrate festivals whose roots reach back to the pre-Columbian past. Fascinated by this blending of old and new and eager to make a record of traditional customs and rituals before they disappear entirely, photographer-journalist Judy Blankenship spent several years in Cañar, Ecuador, photographing the local people in their daily lives and conducting photography workshops to enable them to preserve their own visions of their culture. In this engaging book, Blankenship combines her sensitively observed photographs with an inviting text to tell the story of the most recent year she and her husband Michael spent living and working among the people of Cañar.
Very much a personal account of a community undergoing change, Cañar documents such activities as plantings and harvests, religious processions, a traditional wedding, healing ceremonies, a death and funeral, and a home birth with a native midwife. Along the way, Blankenship describes how she and Michael went from being outsiders only warily accepted in the community to becoming neighbors and even godparents to some of the local children. She also explains how outside forces, from Ecuador's failing economy to globalization, are disrupting the traditional lifeways of the Cañari as economic migration virtually empties highland communities of young people. Blankenship's words and photographs create a moving, intimate portrait of a people trying to balance the demands of the twenty-first century with the traditions that have formed their identity for centuries.
From Belize to Brazil, the forests of the American neotropics are home to an astonishing array of birds—over 3,700 different species, or nearly 40 percent of all the birds on earth. Because of this overwhelming abundance, birders come from all over the world to try to catch glimpses of species that can be found nowhere else, such as toucans and antbirds, motmots and manakins, bellbirds and cocks-of-the-rock, and practically all of the planet's hummingbirds. Two such birding enthusiasts are Vera and Bob Thornton, who have spent fifteen years photographing these special and exotic birds in the rainforests of eleven different countries of Central and South America. In this book, you'll find more than a hundred spectacular color photographs they took during their travels, along with a highly entertaining account of their adventures—and misadventures—in chasing these exotic neotropicals.
The birds pictured here are among the Thorntons' personal favorites—birds that, in their words, "either dazzled us with their beauty, or charmed us by their behavior, or, in a few cases, simply challenged us by the mystique of their rarity." This latter category includes such elusive and sought-after birds as the Black-crowned Antpitta, the Zigzag Heron, the Rufous-vented Ground-Cuckoo, the Bare-necked Umbrellabird, and the monkey-eating Harpy Eagle. In the accompanying text, Bob Thornton engagingly describes the challenges as well as the magic of negotiating the neotropical rainforests in search of colorful birds to photograph. For those who would like to follow in the Thorntons' footsteps, there are also helpful tips about photographic gear and techniques, preferred places to see the birds, lodging, and guides. For everyone who enjoys excellent nature photography, Chasing Neotropical Birds is a must-have volume on the coffee table or in the library.
Honorable Mention, Southern Books Competition, 1999
Known to many as "the butterflies of the bird world," wood warblers allure even the most experienced and discriminating birders. Their annual migrations to and from nesting areas in the United States and Canada draw thousands of birders to places such as High Island, Texas; Crane Creek, Ohio; and Point Pelee, Ontario, where warblers stop to rest and feed during the long journey. There birders have a chance to see and photograph these colorful, elusive songbirds whose quick, darting flight among high branches and thick cover makes them some of the most challenging birds to observe and identify.
In this entertaining, beautifully illustrated book, Bob Thornton recounts his and Vera Thornton's cross-continent adventures in finding and photographing all 52 species of wood warblers that nest in the United States. In addition to describing where and how they photographed each species, Thornton tells marvelous stories of the colorful characters they encountered along the way. He also touches on the current human threats to wood warblers that come from loss of habitat.
“Since long before medieval times cranes have been considered messengers of the gods, calling annually from on high to remind humans below of the passing years and of their own mortality. Now it is up to humans to take responsibility for controlling our own fate—and also to cry out to protect not only cranes but all the other wonderful creatures that share our increasingly fragile and threatened planetary ecosystem with us."
—Paul A. Johnsgard, from the acknowledgments
Accompanied by the stunning photography of Thomas D. Mangelsen, A Chorus of Cranes details the natural history, biology, and conservation issues surrounding the abundant sandhill crane and the endangered whooping crane in North America. Author Paul A. Johnsgard, one of the leading authorities on cranes and crane biology, describes the fascinating social behaviors, beautiful natural habitats, and grueling seasonal migrations that have stirred the hearts of people as far back as medieval times and garnered the crane a place in folklore and mythology across continents.
Johnsgard has substantially updated and significantly expanded his 1991 work Crane Music, incorporating new information on the biology and status of these two North American cranes and providing abbreviated summaries on the other thirteen crane species of the world. The stories of these birds and their contrasting fates provide an instructive and moving history of bird conservation in North America. A Chorus of Cranes is a gorgeous and invaluable resource for crane enthusiasts, birders, natural historians, and conservationists alike.
The devastation of New Orleans after Hurricane Katrina has been imprinted in our collective visual memory by thousands of images in the media and books of dramatic photographs by Robert Polidori, Larry Towell, Chris Jordan, Debbie Fleming Caffrey, and others. New Orleanians want the world to see and respond to the destruction of their city and the suffering of its people—and yet so many images of so much destruction threaten a visual and emotional overload that would tempt us to avert our eyes and become numb.
In The Color of Loss, Dan Burkholder presents a powerful new way of seeing the ravaged homes, churches, schools, and businesses of New Orleans. Using an innovative digital photographic technology called high dynamic range (HDR) imaging, in which multiple exposures are artistically blended to bring out details in the shadows and highlights that would be hidden in conventional photographs, he creates images that are almost like paintings in their richness of color and profusion of detail. Far more intense and poetic than purely documentary photographs, Burkholder's images lure viewers to linger over the artifacts of people's lives—a child's red wagon abandoned in a mud-caked room, a molding picture of Jesus—to fully understand the havoc thrust upon the people of New Orleans.
In the deserted, sinisterly beautiful rooms of The Color of Loss, we see how much of the splendor and texture of New Orleans washed away in the flood. This is the hidden truth of Katrina that Dan Burkholder has revealed.
Al McGuire was the Mark Twain of college basketball. Never was there a figure in the game so quoted and so quotable, on sports and on the human condition. This book collects more than a hundred of McGuire’s most colorful quotations, plus photographs from his life and career, in a tribute that is funny, poignant, and brimming with his streetwise sagacity.
McGuire, a brash and fiery New Yorker who grew up working in his parents’ saloon, played a rough and tumble game of basketball at St. John’s University and briefly in the NBA before entering the coaching ranks. He reached the pinnacle of his profession and gained national fame at Marquette University in Milwaukee, where in thirteen seasons he compiled a 295-80 record, appeared in nine NCAA tournaments, and won eighty-one home games in a row. He was a fine coach who cared deeply about his players and was beloved by his teams and fans alike, but his flamboyance and his mouth sometimes got him into trouble. The end of his coaching career captivated the nation: McGuire wept on the bench as his Marquette Warriors won the national title.
McGuire then began a ground-breaking career in network broadcasting, adding a zest and unconventionality that the college game had never seen. His sometimes bizarre and always entertaining commentary kept viewers tuned in even after the outcome of a lopsided game was a foregone conclusion. When Al McGuire died of leukemia in 2001, the sports world lost a true original.
Imagine being unable to return to your homeland for thirty-six years. What would you do if you finally got a chance to go back?
In 1996, after travel restrictions between the United States and Cuba were relaxed, Cuban exile Tony Mendoza answered that question. Taking his cameras, notebooks, and an unquenchable curiosity, he returned for his first visit to Cuba since summer of 1960, when he emigrated with his family at age eighteen. In this book he presents over eighty evocative photographs accompanied by a beautifully written text that mingles the voices of many Cubans with his own to offer a compelling portrait of a resilient people awaiting the inevitable passing of the socialist system that has failed them.
His photographs and interviews bear striking witness to the hardships and inequalities that exist in this workers' "paradise," where the daily struggle to make ends meet on an average income of eight dollars a month has created a longing for change even in formerly ardent revolutionaries. At the same time, Cuba—Going Back is an eloquent record of a personal journey back in time and memory that will resonate with viewers and readers both within and beyond the Cuban American community. It belongs on the shelves of anyone who values excellent photography and well-crafted prose.
For two centuries, Cuban exiles have found their way to the United States, especially to Florida. But since Castro's victory in 1959, Miami has seen almost one million Cubans arrive by sea and air. The impact on this area has been enormous. Miami---known as the "Exile Capital"---has a greater cultural affinity to Havana and the rest of Latin America than to Tallahassee, Florida's capital.
Cuban Miami is the first analytical, photographic record of Cuban migration to south Florida. Robert M. Levine and Moises Asis have interviewed members of every sector of the Cuban exile community, from the first pioneers to the mass waves in the early 1960s to those who arrived by raft during the late 1990s. In their wide-ranging investigation of Cuban-U.S. history, they touch upon all aspects of Cuban influence: politics, cuisine, music, assimilation, discrimination, and institution buildings. Miami has more Cuban food establishments than the nearby island does. The city has been fertile ground for germinating a unique synthesis of Cuban and Americans are the most prosperous immigrant group in the United States today, this success has come at a price---living in exile can exact a personal toll.
Cuban Miami is a feast for the eyes, including 180 photographs and original cartoons drawn for the book by Jose M. Varela, a well-known member of the Cuban-American community.
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